(Warning: Here come the post-Improv festival spam posts. In my defense, it was a rich weekend. So much of what I learned applies to all of life, not just to stepping on the stage to "make shit up.")
I had a Stage Combat class this weekend with Jeff Alm this weekend. I can't believe I am typing this. I took at Stage Combat class this weekend. When I was in the class, I was thinking "This is so cool. I can't believe I am doing this."
What is Stage Combat? It is staging violence on the stage in a safe way. It is most like partnered dance (think tango, salsa, or waltz) and choreography than fighting. We learned how to stage a punch and we practiced sword fighting.
Before we grabbed the epees, we had to do some mental prep work. We learned techniques for grounding ourselves and how to focus our attention. In a fight scene, we need to be both focused and grounded so no one gets hurt.
We did an experiment with grounding. We first focused our attention on the top of our head. Our combat partner gave us a gentle nudge on the shoulder. Most people swayed. We then focused on attention on our core. Again, out combat partner gave us a gentle nudge on the shoulder. Most people were solid and didn't sway. It was fascinating. I am going to have to use this at work before going into a stressful meeting.
The second thing we worked on was focused versus diffuse attention. I remember learning about focused and diffuse attention in a Feminine Archetypes class, where Diana the Hunter and virgin has focused attention. Demeter the mother had diffuse attention, perhaps scanning the metaphorical horizon to care for her daughter.
We then did an exercise on attention. When we stared out across the room, we had diffuse attention. When our scene partner nudged us on the shoulder, we swayed. When we focused on a spot, we were solid. I think about my ballet classes as a kid. When we were doing a series of turns, we were told to pick a spot on the wall and focus so we wouldn't get dizzy or lose our balance.
Sometimes in life when we are wrestling with a challenging problem or situation, we need to turn our focus off for a bit. I was talking to a friend about this last week. Sometimes we need to intentionally turn off our hamster wheel of a brain, and let our subconscious tackle a problem. This requires a tremendous amount of trust or faith. This is what it means to let something go. It doesn't mean we don't care--it means we need to loosen the death grip we have on a problem for a bit.
This week I took a few days off of work to go to the festival. Last night, I dreamt about a problem at work, and the solution floated to the surface.
By letting it go, I let it come to me.